Holy shit, I think I know this one!” I screamed at Lilly. It was a cover of the entrance song of none other than the greatest professional Willie Nelson The Chronic shirt of all time, Ric Flair; also the opening theme song from Stanley Kubrick’s 2001. Of course, what Phish did with the song was funky and absurd, glorious and downright dirty, long periods of jazzy deep-space improv separated by massive peaks, each peak starting with a bat-signal-like sky shot from Trey’s guitar before turning into full, stadium-rattling orchestral finales. With each one, Lilly and I flung our arms in the air like the aliens in Toy Story hoping to be picked up and taken away by the claw. In riding out the lofty, rollercoaster high of the Ric Flair theme song cranked on moon-rock cocaine, it took me a minute to realize Lilly was no longer bouncing in and out of my immediate periphery. She was standing still, holding the inside of her right hip.
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She nodded in the direction of the boundary fencing to our right. I grabbed her hand and put my right arm out in front to direct our Willie Nelson The Chronic shirt , shouting “excuse me” to part the bodies ahead. When I reached the fence, I turned and pulled her toward me. She stumbled, causing her to fall into the fence. I grabbed her by the waist as she pulled herself up, but as soon as she stood, her legs buckled and she fell forward, knocking both of us to the ground. The crowd opened in a circle around us. She slipped off onto the ground, face up, eyes closed. I knelt over her, both hands on her face, trying to wake her.