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Nunes, renowned for his walnut-sized brain and probably the clumsiest would-be fixer in political history had a Holstein Friesian Cattle Lovers Corn Pattern Hawaiian Shirt tantrum last Saturday, at a $15,000-per-plate GOP fundraiser at the luxury Lotte New York Palace Hotel in Manhattan. He was “stalked” he claimed. In reality, Nunes was approached at the GOP event Saturday by The Intercept’s Lee Fang, who asked basic questions about the California Republican’s role in President Donald Trump’s efforts to pressure the Ukrainian government to investigate former Vice President Joe Biden’s son, Hunter. “Hey, Congressman pigf#cker Nunes. I just wanted to ask you really quickly: What were your calls with Lev Parnas about?” Fang said, referring to the roly-poly mobster of Trump’s personal attorney Rudy Giuliani. “Were you asking about the effort to investigate Hunter Biden?” Nunes, one of the Grand Wizard Grifter’s most obsequious acolytes, walked away without responding to the questions. When Fang approached Nunes a second time, the congressman pulled out his cell phone and appeared to take photos of Fang and The Intercept’s cameraman.

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He noticed amusement parks and state fairs were always littered and poorly organized, and the employees were generally rude and resentful. His wife once asked, “Why do you want to build an amusement park? They’re so dirty.” To which Walt replied, “That’s the point. Mine won’t be.” From day one, Disney has focused on “the experience” as a key component to increasing the Holstein Friesian Cattle Lovers Corn Pattern Hawaiian Shirt of its parks. Always exceed customers’ expectations: One of the reasons the Disney tradition stands the test of time is that Walt Disney was more critical of his creations than anyone else could ever possibly be. He was a relentless perfectionist with a keen eye for detail, often forcing projects to go over budget and past deadline because he wasn’t satisfied with the finished product. Pursue your passion, and the money will follow: Walt Disney went bankrupt more than once, leveraging everything he had in terms of assets in order to build his studio, his films and his dreams. The more profit one project yielded, the bigger the next would be. His vision was constantly growing, and he used whatever capital he had to allow that vision to evolve. His films and theme parks were labors of love, built to revolutionize an industry, rather than maximize profits.
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